Attack of the Ogres

Enemies are needed just as much as heroes. Unfortunately, the resources for enemy battlers are rather limited – at least for the monsters. I’m therefore making my own battlers based on resources provided by RPG Maker:

$BigMonster2

To make this sprite blend more with our battlers, I changed the center to a 3/4 view, and added an outline as seen on our other battlers.

I then animated it, but manipulating its parts, slightly.

His low-health state:

ogre

His primary attack:

ogre2

Expect to see more soon, as well as possibly our demo coming up soon.

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Edo-Inspired Woman

I’ve recently been introduced to the Weekly Art Challenges on RPG Maker’s official forum. They’re fun themed little challenges that ask for submissions each week on the forum. Thought I’d share mine for this week’s. The theme is historically-inspired. This is mine, a woman inspired by Japan’s Edo Period:

edo

 

Her kimono is not in the exact style of the Edo period, but the lithe figure is a nod to that traditional period, as well as the make-up and hair style.

A Summary of Game Progress – A tour of Genos

Justin here. Just a quick update on some game progress. Specifically, the world of Genos. Every classic RPG game world is unique, but with similar roots. The dynamic? The main character who ultimately becomes a hero, has humble beginnings. This kind of classic game dynamic works, and for The Lotus War, we didn’t want to change. Why? Because that’s the kind of story that we all can fall in love with. We connect to it, envy it. An ordinary guy, who goes on to do extraordinary things. Who overcomes odds, using talents and wits. What differentiates this kind of coming-of-age story in any incarnation are the details – and we’ve seasoned both the plot and the world with originality.

None of this would be possible without the player having a world in which to become a hero. I’ve labored some hours over all the maps in the game, constantly adding and changing things. A common complaint among RPG fans (especially towards RPG maker games) is that the maps are bland, without real detail, or seeming as though the designer didn’t put a lot of time or thought into them. I have been trying my utmost to design a world that I would want to play, and the world I want to play can’t be bland or lazy. In any game especially RPG/Adventure games, the world should encourage you to explore and you should have fun doing it. None of this should feel tedious, or drawn out. Our world, Genos, is vast. It has a little bit of everything…

From the humble beginnings of Ren’s home town…

Screenshot1

To secret places with friends…

Screenshot2

…Exploration with your party…

Screenshot3

Steampunk styled cities…

Screenshot4

Lush forests…

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Snow-capped mountains…

wpid-snap1.png

…and ancient dungeons.

Screenshot6

From desert wasteland to frozen tundra, The Lotus War has a little bit of everything to explore. It’s my hope you’ll have as much in discovering it as I have had in creating it.

A demo is forthcoming – so stay tuned! In this coming month, we plan to add several more updates to game progress, such as our opening credits and some game footage.

A Summary of Game Progress – Characters and Portraits

This blog exists because of our RPG Maker VX Ace Project, The Lotus War, but besides for posting some images of recent artwork, the game itself has kind of taken a backseat in the blog. Not because work has halted, but because so much has been covered in past posts. For example, older posts might’ve covered product reviews or character introductions – you might notice, though, that the products that we use in game creation are limited, and the main cast has pretty much been introduced. Similarly, custom scripts that we’ve utilized have been addressed in past posts, as well as some of the custom tilesets that will appear. But with a goal of having a demo available by next month (we’ll see how that goes), perhaps it’s time to recap some of our development progress. Today, I’ll start with something already familiar: the art. Expect, though, to see samples of cut scenes, the opening credits, and new views of our map coming soon.

Of course, we have the main cast fully assembled. You may remember from earlier posts that the artwork hasn’t always been up to snuff. Fortunately, with practice, I was able to create a team of which I’m proud:

wpid-1149067_588924531160537_1382445057_n.pngTaya-BlushArinnel-Normal

Axel-NormalAuhn-Normal elf guy normalbron

 

We also have several of the secondary cast fleshed out:

Axel3-NormalAnders-NormalSteff-NormalKai2-Normal

 

And you might notice that the armor is a little more unified these days – although still varying from character to character. This was done to give it more of a military feel.

Some of the major bosses were also completed:

Galen-NormalshaneThe Bird-NormalThe Chief - Normal

 

Battlers have also been important, which we’ve been fortunate enough to obtain for customization through Holder:

ren-battler auhn-battler kai-battler galen-attack bron-battler taya-shot

 

This is all a big deal to me because it has truly come a long way. Some past examples were rough:

wpid-hero-template.png kai jealousimagewpid-taya.png

 

taya-old-shotwpid-arinnel.pngwpid-portrait_taya.png

In the past, you might notice, the characters looked a bit flat.There was little dimension due to my lack of comfort with MangaStudio. My skill has vastly improved – and I also discovered new nifty tricks (the most revolutionary being “export in dimensions” rather than “export in pixels” – for Photoshop, it makes such a huge difference!). I’ve also grown in comfort using Photoshop, and discovered a nifty tool in GraphicsGale for pixel art. Not to mention my ability with the Wacom Bamboo Splash has increased dramatically.

In addition to that, I’ve created what will become the basis of at least part of the opening cinematic:

opening 1

Of course, given that the characters are my area and I’ve been updating the blog since month 3 or so, any frequent readers are well aware of the advancements in this area. For a game development blog, the greater interest might light in world creation, coding, scripting, and the like. Fortunately, J also has some great progress to report. Unfortunately, we’re spreading this recap out so that each aspect of our game has a moment to shine.

Check back soon for progress in our game music, our opening credits, our opening “cinematic,” and out in-game cut scenes. All of this will hopefully be leading up to a playable demo some time in August.

And please, feel free to leave feedback. Feedback is what we need to fulfill our ultimate goal: creating a great game.

A Few Characters and Sprites

I wrote the other day about syncing up sprites and portraits. Today, I wanted to show a few completed ones:

bogs

bogs-walking

 

Hanlo-Normal

hanlo-walking

 

roguish girl normal

janna-walking

 

Here are some basic approximations of some NPCs and their sprites. If you take a close look, you’ll notice some details that might cause a discrepancy, as discussed the other day… but nothing too glaring, right?

Characters in the Cold

Ren Jacket-Normal

Jtaya-normal

So far, I have two jacket designs down for the colder climate areas! The only problem is that we might not be able to make the battlers match the difference – though the travel avatars will.

What do you think of changing character clothing depending on the climate?

Character Outfits

Since times immemorial, iconic video game characters have had an outfit – one outfit – you identify them with. Mario and Luigi have blue overalls with oversized hats of red and green, respectively. Donkey Kong has a really phat fur coat and red tie. Link has a green tunic and slouchy, pointed cap.  But the video game, as a medium, has grown. Suddenly, not only can you design and select the gender for Revan in KOTOR (is it still too early for that spoiler?), but find a new robe with better Force conduction (or something) and boom. Your character looks completely different. Countless games allow you to modify the avatar you see onscreen.

Yet even in an age where customization exists, you still have your recognizable icons: Titus and his ridiculous belly-shirt, Yu Narukami in his black and white school boy get-up, Snake with his… eyepatch (although his outfits change).  Even cartoon characters that for generations did not have the same restrictions that video game tech of old have that: Race Bannon with his red, collared shirt; Sailor Moon, Goku, Kenshin, Mugen, Spike, Faye – despite fleeting occurrences when a new outfit plays into a particular point, having a look definitely helps with branding and identification. Also, it gives the fans a basis for cosplay (really, that was a concern of Hideo Kojima that prompted him to say a character’s costume needed to be “more erotic”). For big, branded adventures, being iconic certainly has advantages.

But here’s a problem I’ve been grappling with: our characters go through extreme weather. Ren/Taya/Axel’s hometown is a little desert town with the fortune of being near one of the region’s few oases. It is a dusty, dead, “wild west” kind of place. It’s hot. So Taya’s low-cut, sleeveless, skirted outfit makes sense – even the scarf, as many desert areas include cottony, breezy scarves and shawls so that a person may hide under its shade during the more brutal parts of a day. However, they travel north to Ever Winter – the human population’s wintery capital – for military training at the Academy… and then travel again to the spring-like mild temperature of the elves’ forest home. So should Ren & company keep their short sleeves for the entire trek? Maybe I should throw a jacket on ‘em – though that would, cover some of Taya’s… um… assets.

taya2

Sorry, Otaku Judge.

I think we should. Although Justin rightly points out that keeping them in one outfit follows the tradition of iconic RPGs since the conception of the genre.

What do you think?

Working on a Wallpaper/Coverart

Every time Justin does an update to my laptop, he decides to change my “future city” wallpapers to Subaru WRXs. And every time, I decide to find a new future city wallpaper. This time, I decided to break the mold and see about creating my own wallpaper. Progress:

wallpaper01

At some point, I’ll be able to export it as a PNG at a higher resolution. But for the sake of sampling, this is where I currently am.

I got so excited about drawing this that for nights at a time, I was drawing until my hand hurt. Once the people were finished, took it a little easier, though that sky did take some time. Clouds, I’ve learned, are pretty difficult to draw right. I did get some I’m more or less happy with.

You may remember the cover art I was working on:

coverart1

But Justin has decided he likes the wallpaper better as cover art, so the above will probably be replaced, although I had already been working to replace the cave with a dungeon:

coverart2

But I do like the sentimentality of the new art.

What kind of cover art do you like?

Playing Around with a New Style

kazue

I’ve been thinking of styling future games a bit more raw-feeling – a little less in a clear-cut, house anime style, and a bit more in my own.

A pencil artist at heart, I have never really tried drawing using the tones I intend to color with as outlines. I’m not completely sure about the finished product, but there’s a lot of time for changing styles for the next game. Of course I couldn’t change mid-project.

What do you think of the above sample?

Axel vs. Axel

Earlier this week, I displayed a new Axel character, as our last one has become sadly out-dated:

Axel-Normal

With jagged lines, rough shading, and sub-par anatomy, poor Axel was in no condition to stand besides the rest of the cast. Wanting to have an Axel that was a better fit in Ren and Taya’s desert village, I re-drew him entirely:

Axel2-Normal

With a bit of the same spirit, I really liked this newly revived Axel. However, I decided that my last one wouldn’t be completely scrapped, so I went into his Manga Studio file… only to find that I had already updated his anatomy and outlines, and he was colored at that. All that awaited was re-coloring. Why- I could even color him the proper complexion for a desert-dweller!

Axel-Normal

But now I have two similarly-complected, axe-wielding characters. What am I to do?

Axel3-Normal

My solution was to further re-color the “new” Axel – and I believe now he should be part of Kai’s rival team.

Ugh… well… the things we do for art.

Which iteration is your favorite?